Otto: The Autobiography of a Teddy Bear
This is an autobiographical tale of a teddy bear named Otto. Otto is a German-born teddy bear. His first memories are of being stitched together and being given to David, a Jewish boy living in Germany before WWII. David and his best-friend Oskar always play with Otto, using him for pranks, games and even teaching him to type on a typewriter. Life is a lot of fun for the Otto. However, one day, David starts to wear a yellow star on his jacket. He and his parents are soon carted away by men in leather coats and uniforms. David decides to give his dear teddy bear to Oskar. Many lonely days pass for Oskar and Otto. But even gloomier days soon arrive when Osakar's father is drafted into the army and the bombings start. One day, a sudden explosion sends Otto flying through the air and into the middle a raging battle-field. The teddy bear is spotted by a soldier, but the moment the soldier picks Otto up, they are both shot through the chest. Otto and the soldier, an American G.I., are taken away to a hospital. In hospital, the soldier keeps Otto by his side. When he recovers, he pins a medal on Otto's chest, saying that Otto saved his life, taking the brunt of the bullet. The story makes papers and Otto becomes a mascot of the soldier's regiment. The teddy bear is then taken to America and is given to a sweet girl called Jasmin, the soldier's daughter. But Otto's new home and happiness is once again brutally ended when he is snatched away by mean and violent street urchins, who hit and trample on him and throw him into a bin. Otto is then picked up by an antiques dealer and taken to his shop. Years and years go by, until one rainy evening, when a bulky man stops and carefully examines the shop window. The man recognizes the bear instantly buys him. It is Oskar, Otto's old friend. The story of Oskar, a German tourist and survivor of the war finding his teddy bear in America soon makes the papers. And the day after Otto's picture appears in the paper, Oskar's telephone rings: it is his old friend David. And so, the three friends finally reunite, sharing the sorrows and pains of war and living a peaceful and happy life together. Otto now keeps himself busy, typing the story of his life on David's typewriter. Children will become attached to this loving, innocent protagonist, and will naturally be interested in his life story. Tomi Ungerer deals with one of the darkest chapters of history and pulls off the challenge admirably. This tale will prompt reflection and important questions without causing undue fear.
Born in Strasbourg, in the Alsace region of France, in 1931, Tomi Ungerer started drawing as a small boy. Growing up in Nazi-occupied Strasbourg, drawing caricatures was for him a form of resistance. Described on his school-leaving certificate as a 'depraved and rebellious character', he hitch-hiked around Europe, getting as far as Lapland, rather than going to university. Inspired by his heroes Saul Steinberg, James Thurber and Charles Addams, Ungerer landed in New York in 1956, with only $60 dollars in his pocket and a suitcase full of drawings. He quickly found success as an illustrator and caricaturist, becoming a star almost overnight. He published his first book for children, The Mellops Go Flying, in 1957, and went on to publish 80 books over the next ten years, covering all aspects of his work. Fluent in French, German and English, Ungerer regards himself as Alsatian first and European second, and has described New York City, where he lived and worked for 15 years, as the love of his life. However, his firmly held and clearly expressed beliefs and opinions - against racism, McCarthyism, the Vietnam War, against hypocrisy in any form - made life in the US increasingly difficult, and for a while, his books were banned from any libraries receiving public funding. He left the US in 1971 on a sudden impulse, when he and his second wife Yvonne moved to a farm in Nova Scotia, where they raised sheep, pigs and goats for a number of years, before moving to Ireland to raise their family. Tomi Ungerer now divides his time between his farm in Ireland, near the ocean that he loves, and Strasbourg, the city of his birth, where a museum dedicated to his work opened in late 2007. Ungerer's work outside the world of children's literature is incredibly varied, ranging from caustic satire to beautifully observed drawings from nature, from movie posters to darkly erotic illustrations (he is not afraid or ashamed of depicting the most extreme fantasies, be they his own or imagined by others). As a graphic artist, he created advertising campaigns for Madison Avenue agencies, publications like The New York Times and the Village Voice, as well as for people like Willy Brandt, who led the Social Democratic Party of Germany for more than 20 years. A pacifist, Ungerer also made memorable, provocative posters for causes he believed in, such as the anti-Vietnam War movement, while his 'Black Power/White Power' poster, a comment on the American Civil Rights Movement, has become iconic. Tomi Ungerer has said while many people can see only good and evil, he is particularly interested in the no-man's land between the two, as this is the most interesting place, where lessons can be learned. In the 26 books for children due to be published by Phaidon, Ungerer covers themes such as prejudice, poverty and the holocaust, but his fantastic repertoire also includes such charming animals as Adelaide, the flying kangaroo, and Orlando, the courageous vulture. With his books, Ungerer wants to inspire children's curiosity and imagination, but also to let them know that it's OK to have problems, because you can find the courage to fight them - among the many aphorisms and mottoes he coins and collects, his favourite is 'Don't hope, cope!'. When it comes to his own life and work, Ungerer's three key principles are enthusiasm, discipline and pragmatism. He is a firm believer in the importance of a good vocabulary, good manners, and the acquisition of practical skills like cooking, first aid and making knots, of creativity of any kind, because 'you are what you make'. An internationally renowned artist and a superlative storyteller, Ungerer has received numerous awards for his work, including the Erich Kastner Prize for literature in 2003, the Hans Christian Andersen Award for illustration in 1998, and the Jakob Burckhardt prize of the Goethe-Stiftung, Basel in 1983. In 1992, the American Bibliographic Institute named him one of 500 'World Leaders of Influence', and in the same year, he was awarded the Bundesverdienstkreuz, the Order of Merit of the Federal Republic of Germany, for his contribution to cultural exchange and communication between France and Germany. The Council of Europe in Strasbourg named him an ambassador for children and education in 2000, and in 2002 Jack Lang, then French minister of education, named him an Officier de la Legion d'Honneur.<